Title page for ETD etd-11282007-141634
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Type of Document Dissertation
Author Dolan, Marion
Author's Email Address mdolan79@hotmail.com
URN etd-11282007-141634
Title The Role of Illustrated Aratea Manuscripts in the Transmission of Astronomical Knowledge in the Middle Ages
Degree Doctor of Philosophy
Program History of Art and Architecture
School School of Arts and Sciences
Advisory Committee
Advisor Name Title
M. Alison Stones Committee Chair
D. Mark Possanza Committee Member
Fil Hearn Committee Member
Katheryn Linduff Committee Member
Peter Machamer Committee Member
Keywords
  • Aratus
  • astronomical art
  • astronomy
Date of Defense 2007-11-07
Availability restricted
Abstract
The Aratea manuscripts contain Latin translations of the astronomical poem originally written in Greek by Aratus of Soli around 270 BCE. The Greek poem was translated into Latin by three Roman authors: Cicero, Germanicus and Avienus. These three Latin versions became quite popular in the Middle Ages and were usually decorated with pictures of the full cycle of constellations, a celestial map, and personifications of the Sun, Moon and planets.In undertaking this study, essential questions needed to be answered, such as: how many manuscripts survive and from what time periods? How are the three different authors illustrated? What were their models? Are there patterns to be discovered in regard to illustrations of each author? Are the illuminators reading the poem and creating images in accordance with their readings or simply following ancient models? Who was the intended audience?

This body of Latin manuscripts, correctly called Aratea, had not been studied in its entirety, nor was there a catalog or listing of the pertinent information. Many conflicting statements have been published concerning Aratea manuscripts, as to their content and function in medieval society. Were Aratea manuscripts produced, collected and read for their poetic content, mythological content, astronomical content, or for their classical or historical connections? Or perhaps it was the pictorial cycle of classical gods, semi-gods, and celebrated semi-nude heroes of antiquity that should be credited for keeping Aratea manuscripts alive through the thousand years of the medieval period?

This inquiry addresses these issues and attempts to clarify the content, function and circulation patterns of the three Latin poems. Therefore it was necessary to pursue the sources of astronomical art and to examine the cultural and historical circumstances that influenced Aratea manuscript production. This dissertation has attempted to pull together the numerous threads of this complex but highly-valued body of manuscripts in order to provide a more complete understanding of its role, especially in the transmission of astronomical knowledge.

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